PINKY – Super Girls Magazine!

Morning Pep

I usually see this hour (5:39a.m.) from the other side. So I thought I’d add a little perk to my morning brew by visiting the site for Japanese women’s fashion mag, PINKY.

Part of Shuiesha’s (one of Japan’s top cats in the publishing lark) stable of monthlies, PINKY is aimed at fashion conscious twenty-something gals. PINKY launched in 2004 as a sister magazine to the Japanese version of Seventeen, with several staff moving to help set up the newer title.

To my untrained eye, the magazine’s target readership is fresh, cute and girly-graduating-to-feminine, with aspirations of style and sophistication. Earlier this year one of PINKY’s free gift giveaways was a Betsey Johnson x Hello Kitty pouch.

(My two yen on Japanese magazines after the jump)

Anger – Lucifer Rising

Feeling happy

Last week sitting in Tom’s Kitchen, where the pork chops were quietly breaking my heart, Rossetti pulled out a bag from under the table. “For me?”, my brain salivated. A peek inside revealed Anger 3, The Devils and The Tempest (Derek Jarman’s).

More (including Anger’s Lucifer Rising on YouTube) after the jump.

xxxHOLiC

In the witching hour

I picked up the first volume of xxxHOLiC by the manga collective Clamp. The series begins with a high-school student, Watanuki Kimihiro, who is plagued by spirits, and the witch who offers to help him for a price.

Pink Box

Water world

I finally picked up a copy of Pink Box, Joan Sinclair’s photojournal of the Japanese sex industry. It is an exceptional achievement. It offers a glimpse into a side of the mizu shōbai (水商売, lit. water trade, the entertainment business) rarely seen by outsiders.

Sinclair shows us a world where all manner of fantasies are fulfilled: shaking train carriages with schoolgirls to grope, foot fetish bars, real doll clubs and yes, used panty sales. It is, in her words, full of ‘colour, kitsch, variety, and absurdity’. But first and foremost it is a staggering money spinner. Sex services in Japan are worth ¥2.37 trillion (Takashi Kadokura, 2001).

Lights Out for Darker Skies

A pitch black heaven

But the coloured lights fooled you. The lights were wonderful. There ought to be a monument to the man who invented neon lights. Fifteen stories high, solid marble. There’s a boy who really made something out of nothing.

- Philip Marlowe, The Little Sister (1949) by Raymond Chandler.

Summer 2007. Aomori, Japan. I stand on the plains of northern Honshū. The lights are out, the houses and farms all asleep.

Underfoot, the slow crunch of stones on the sun-baked path, tingles my ears and slippered feet. We wander into a small orchard. The leaves on the apple trees rustle against our skin. I hold her closer. City boy, city boy, where have you gone?

Typing From Hell

Give me Moore.

I have been re-reading Alan Moore’s superlative comic book From Hell. Taking the unsolved case of Jack the Ripper as their starting point, Moore and illustrator Eddie Campbell delve into the underbelly of Victorian society and beyond.

It is a gripping story, full of inventive twists and brutally depicted in black ink. The comic is wonderfully dense, yet at the same time eminently readable. Moore has an exceptional gift for processing a large volume of source material into a taut narrative.

One thing I noticed this time was the attention to detail placed on the typeface. This in itself is not uncommon. Comic books often employ multiple fonts, making the text part of the graphic narrative. It closes the distance between picture and word.

Paper Wings

LOVE PAPER? 

Love Takeo & Winged Wheel.

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